To Uvalde
Like the dividers in my pill holder, I dose
each day’s news, flipping open a lunchtime
headlines’ check, thirty minutes for nightly
reports, yet today all my head sees is wooden,
blue-robed, Santo Nino statued next to pairs
of children’s shoes left by so many for him
to continue travels, to continue comfort.
How many times you and I have knelt,
rubbed, scooped santuario dirt among
no-longer strangers crying and crossing
themselves, that one time when exiting
to the parking lot you told me we were
witnessing grief, four women embroidered
and bowtied singing Mariachi to a family
bowed, my high school Spanish ear extracting
no puedo/a mi mansión volver as we intruded—
and here, motherless, I bend to the kitchen
floor when I remember behind closed eyes,
dark grey, the beautiful pain of each held,
strummed note not mine but theirs, all
the live-streamed images, press conferences,
my mind placing elementary schoolers, maybe
on a field trip, back there on asphalt outside
Holy Child of Atocha Chapel, hands linked,
swaying, pushing air, their bodies up, away,
a buoyant Red Rover formation circling
beside the archway’s hearted, tin cross.
Amy Lerman lives with her husband and very spoiled cats in the Arizona desert. Her manuscript, Orbital Debris, won the 2022 Jonathan Holden Poetry Chapbook Contest, and her poem “Why Is It” won the inaugural Art Young Memorial Award for Poetry. Her poems have appeared in or are forthcoming in Midway Journal, The Good Life Review, Radar Poetry, Rattle, Solstice, Smartish Pace, and other publications.
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